| Name | Pro |
| Description | Great for most live productions |
| Credit per hour (base price) | 6 |
| Additional credits per camera input | 2 |
| Show input variations | 2 cameras, 4 cameras |
| Video Sources | More info |
| 2 Camera Inputs (base price) | Device restrictions apply - Accepted input: Atomos Connect (with Ninja /Ultra/V/V+), Shogun Connect, Mavis Pro Camera |
| 1 HTML5 Graphics | Any HTML5 based webpage |
| VT Player 1 | Required H264 video in .mov or .mp4 container |
| VT Player 2 | Required H264 video in .mov or .mp4 container |
| 8 Image Players (Max 500 PNG images shared across all Image and Wipe players) | Alpha supported, PNG image type. |
| 1 Wipe Player (Max 500 PNG images shared across all Image and Wipe players) | Alpha supported, PNG image type. |
| 4 Colour Generators | Single colour, 4 corner gradient |
| 8 DVE | Each DVE includes up to 4 layers + background. Size, Crop and Boarder configuration. Supports Alpha |
| Black | |
| Bars | Pre-configured |
| Test Image | Pre-configured |
| No-signal Image | Customisable |
| Audio Sources | |
| 2 x Mono per Camera Inputs | |
| 1 x Stereo per VT Player | |
| Control Interfaces | |
| 1 Control Surface (viewer for multiview) | Device restrictions apply - Accepted controller: Mavis iPad/Mac Surface App |
| Stream Outputs | |
| 1 SRT/RTMP PGM Output Stream Encoder | Configurable from any video source. Framerate determined by internal processing (system rate). Max 10Mbit/s encode. |
| Configurable Stream settings | SRT Caller or Listener (port 5000 only), RTMP Port number, Bitrate, GOP |
| Monitor Outputs | |
| 2 Monitor Encoders / 2 Monitor Outputs | Monitor Outputs driven from Monitor Encoders. Configurable from any video source. Framerate determined by internal processing (system rate). Max 6Mbit/s encode. Device restictions apply - Accepted monitor: Mavis Monitor AppleTV App, Mavis Surface iPad/Mac App |
| Selectable proxy quality | Configurable Bitrate, GOP. Requires maximum network ping of 100ms and minimum 5mbit/s download speed Wired connection recommended |
| Cloud Recording | |
| 1 PGM Output (driven from same source as output streamer) | Recordings available for 7 days |
| 1080p | |
| Intercom | |
| 4 Intercom app based devices | Device restrictions apply - Accepted input: 4 Mavis iPhone Surface Apps (Intercom), 1 Mavis iPad/Mac Surface App |
| Intercom camera based devices (limited by number of camera inputs) | Device restrictions apply - Accepted input: Atomos Connect (with Ninja /Ultra/V/V+), Shogun Connect, Mavis Pro Camera |
| 4 Intercom groups | |
| 2 Intercom IFB groups | |
| Selectable Talk/Listen per group | |
| Latch and Push to Talk functions | Device restrictions apply - Limited to Mavis Surface App, Mavis iPhone Surface App, Mavis Pro Camera |
| Selectable PGM return per channel | |
| Vision Mixer | |
| PGM Channel | |
| Preview Channel | |
| PGM Clean Channel | Identical to PGM but does not include DSK source |
| Auto and manual mix | Selectable speed auto mix, Faux T-bar manual mix |
| Wipe transision | Alpha supported, PNG image type. |
| DSK | Limited to graphics source. Mix on/off |
| Tally | Programme/Preview |
| Audio Mixer | |
| 16 input mixer channels | |
| 5 DCA groups | Group multiple input channels |
| PGM master output | |
| Selectable on/off for master output | |
| Cue bus | |
| Configurable mixer layout | |
| Fader control per mixer input channel | |
| Selectable on/off per mixer input channel | |
| Input gain control per mixer input channel | |
| Pan control per mixer input channel | |
| 4 bands of parametric EQ per input channel | |
| Phase inverse per mixer input channel | |
| VU per mixer input channel | |
| Master VU | |
| Multiview Controller (Proxy) | |
| 3 Multiview channels with 10 sources viewable per channel | 2 Large, 8 Small configuration only |
| Configurable from video sources plus PGM, Preview and Wipe Player | |
| Stream status and Master VUs | |
| Selectable proxy quality | Requires maximum network ping of 100ms and minimum 20mbit/s download speed Wired connection recommended |
| Internal Processing Standards | |
| 1920x1080 resolution | |
| Progressive | |
| 50fps or 59.94fps | Input standards accepted at 50fps - 25p, 50p Input standards accepted at 59.94fps - 29.97p, 59.94p, 60p |
| 4:2:0 video sampling | |
| 8-bit colour percision | |
| Rec 709 colour space | |
| Audio Processing | |
| 48kHz sampling | All audio must conform to 48kHz sampling rate |
| 32-bit floating point | |
| dBFS VU metering | |
| Frame synchronisation | |
| Automatic video synchronisation | Max delay 10 seconds per input |
| 4 synchronisation groups | Group different camera inputs for synchronisation |
| Manual and automatic controls | |
| Transmission latency control for input sources | Minimum transmission latency: 20ms. Maximum transmission latency: 3000ms |
| Customisation and hardware options | |
| Support for MIDI panels | |
| Cross point configuration for physcial buttons | |
| Hardware keyboards | Device restrictions apply (Limited to Mavis iPad App) |